The Real Aftermath: How COVID-19 Changed the Way Science Fiction is Conceived, Read, and Interpreted

Edited by Riccardo Retez

'The Real Aftermath: How COVID-19 Changed the Way Science Fiction is Conceived, Read, and Interpreted' offers a profound exploration of how the COVID-19 pandemic has redefined the boundaries of speculative fiction. Through contributions from scholars in literature, media, and cultural studies, this volume examines the pandemic's deep impact on science fiction as a genre and cultural phenomenon. The book navigates the thematic, stylistic, and ideological shifts that have emerged in response to the global health crisis, revealing how science fiction has become a mirror of contemporary societal anxieties, from isolation and contagion to resilience and dystopia. Drawing from a rich array of media, including literature, film, and video games, 'The Real Aftermath' delves into the portrayal of existential threats and explores how speculative narratives provide frameworks for imagining future crises and solutions. By addressing both cultural and technological disruptions, the book positions itself within the growing body of critical literature on the intersection between global crises and fiction, offering original insights into the transformative power of science fiction in post-pandemic society. This volume is an essential resource for scholars and students in literature, science fiction studies, media, and cultural analysis. It can serve as a reference for academic research, a methodological aid in classroom discussions, and a guide for practitioners interested in the role of fiction in interpreting and responding to global crises.

Navigating Boundaries: A Comprehensive Study of Postcolonial Theory and Literature

Shuchi Agrawal

'Navigating Boundaries: A Comprehensive Study of Postcolonial Theory and Literature' delves into the intricate area of postcolonial discourse, amplifying the voices emerging from the margins, challenging dominant narratives while exploring the themes of identity, mimicry, hybridity, power and resistance. Drawing from key theorists such as Edward Said, Homi K. Bhabha, Frantz Fanon, Gayatri Chakravorty Spivak, Philip G. Altbach, Deepesh Chakravarthy, Chandra Talpade Mohanty, Gauri Viswanathan etc., this book offers a deep investigation into the multiple aspects of theoretical frameworks that shape postcolonial discourse. The analysis moves seamlessly from theory to literature, investigating how postcolonial literary texts navigate critical issues such as hybridity, mimicry, identity and resistance. A vital resource for students, research scholars, teachers, and anyone curious about the dynamic field of postcolonial theory and literature, this book calls readers to reflect, question, and join the conversation on the complex narratives that continue to shape our world. Generally, most of the postcolonial critiques explore linguistic imperialism, but this book makes a groundbreaking intervention by foregrounding the use of vernacular languages in literary texts and critical theory, positing that this is not just an aesthetic choice but a form of resistance and identity reclamation. In doing so, it echoes Ngũgĩ wa Thiong'o’s call for linguistic decolonization but applies it in a broader, more diverse context, examining how the act of writing in local languages disrupts colonial power dynamics and fosters cultural preservation. While much of postcolonial criticism tends to center on broad historical and political analysis, 'Navigating Boundaries' emphasizes the multiple voices coming from Africa, the Caribbean and South Asia, offering a more intimate look at identity formation in postcolonial settings. Moreover, the book’s interdisciplinary approach strengthens its position in the field. By weaving in cultural studies, sociology, and psychological perspectives on gender, trauma, ethnicity and memory, it opens up fresh pathways, making the work relevant not just for literary scholars, but for those interested in a wider discourse on postcolonial theory.

A Vain Talent? The Question of Female Artistry in the Life and Work of Anne Brontë

Edited by Taten Shirley, Faulkner University

The main goal of this anthology is to aid Brontë scholars, along with undergraduate and graduate students alike, in their research of Anne Brontë, specifically in regards to the question of her artistry in her own life and the theme of artistry in her novel, 'The Tenant of Wildfell Hall', and her poetry. While there have been numerous publications on the Brontë sisters, there is the least amount of scholarship on Anne. Literary criticism of Anne is usually included within commentary on her sisters as a whole, and Anne is always discussed the least in the works. There are few, if any, anthologies on Anne’s writing, especially not one that focuses on artistry specifically. This anthology seeks to reduce the disparity of scholarship on Anne compared to her sisters. The first chapter examines Helen Huntingdon through the medieval lens of chivalric domestic violence. The second chapter discusses how Charlotte and Anne’s own artistry impacted the characters they wrote. The third chapter focuses on Anne’s poetry and how it can be viewed as a therapeutic for her homesickness while at Thorp Green. Chapter four explores the use of art as a means of escape from an unvirtuous marriage in 'The Tenant of Wildfell Hall'. The fifth chapter critiques the function of art through the medium of painting in 'Tenant'. Chapter six explores how Brontë traces her female character’s moral and emotional development through her art. Lastly, the seventh chapter takes a closer look at why exactly Anne is the least-known sister by contrasting the supernatural in Charlotte’s 'Jane Eyre' to the realism in Anne’s 'The Tenant of Wildfell Hall.'

Modern Czech Literature: Writing in Times of Political Trauma

Edited by Andrew M. Drozd, University of Alabama

Modern Czech culture has experienced a series of political traumas starting in the 1930s. Despite the difficult, shifting conditions, Czech writers have not only managed to contend with the situation, but have produced many fine literary efforts. This volume consists of seven articles by an international team of authors who are specialists in Czech literature. The first four chapters treat very well-known writers. There is one chapter on Karel Čapek and his play "The White Plague." There are three chapters on Milan Kundera, the internationally best-known Czech writer, with one of these chapters covering both Kundera and Bohumil Hrabal. The last three chapters deal with more recent and/or lesser-known writers. One chapter treats the Brothers Topol and the music underground, one chapter treats Czech literary responses to the period of the Normalization, and the final chapter treats Eda Kriseová. This volume presents new perspectives on Czech literature and will be of interest to specialists in Czech literature and history, Central European literature and history, Nazism and Communism. For example, although much has been written about Kundera, the three articles provide further treatments of three different aspects of his work: his ties to Russian literature, his misogyny, and the philosophical content of his novels. Specialists interested in the period of the Normalization (and after) will find the last three chapters particularly useful. The chapters are suitable for classroom use in courses in both Czech literature and Czech (or Central European) history. All material from Czech-language sources presented in the chapters is given in English translation.

Shakespeare and Religion: Global Tapestry, Dramatic Perspectives

Edited by Margie Burns, University of Maryland, Baltimore County

Twelve research articles deal with aspects of religion in the plays of William Shakespeare, from early in the dramatist’s career to the end. Ordered by chronology, two chapters focus on history plays; three chapters focus on comedies and three on tragedies; one deals with "Troilus and Cressida," and three chapters deal with the late romances. The anthology does not cover all of Shakespeare’s plays and collaborations or the lyric poems. The collection is ecumenical and transnational. While the contributors all recognize that Shakespeare wrote in a Renaissance Christian universe, Christianity is not the only world religion dealt with. Approaches involve history and philosophy as well as theology, and individual perspectives vary. One thing the collection makes clear is that religion, in some sense, operates in every Shakespearean work, and its large spectrum ranges through plot and character from shallow to deep, self-interested to elevated, bloody to harmonious. Religion and religious differences were also part of the fabric and history of the playwright’s world, manifesting in the plays in situation, language, and iconography. From various perspectives, a common denominator is that the authors approach aspects of religion as one element in an informed analysis of the works.

Magical Feminism in the Americas: Resisting Female Marginalisation and Oppression through Magic

Abu Shahid Abdullah, East West University

The book aims to show the way magical feminism resists female marginalisation and oppression in the Americas. Dealing with multiple victimisation of women in the Americas who have suffered not only because of their gender but also their race, ethnicity, political ideology, social status, financial insecurity and such, magical feminism provides a voice to them so that they can speak about their marginalisation and victimisation. In other words, by using magical feminism, these female authors attempt to give a voice to the oppressed women, enabling them to resist and challenge the traditional female role and to raise their voices against various social and political issues. The subversive and transgressive power of magical feminism enables the oppressed women to break patriarchal constraints and to reverse the traditional power structure. By creating an imaginary realm through traditions, local beliefs and rituals, myth, magic and the spirits of the dead ancestors as guides, magical feminist technique functions as a survival strategy for women in traumatic and oppressive situations and provides them consolation. The project includes a total of eight novels from African American (Gloria Naylor’s 'Mama Day'), Latin American (Isabel Allende’s 'The House of the Spirits'), Native American (Louise Erdrich’s 'Tracks'), Chicana (Ana Castillo’s 'So Far from God'), North American (Gail Anderson-Dargatz’s 'The Cure for Death by Lightning'), Central American (Gioconda Belli’s 'The Inhabited Woman'), Hawaiian American (Kiana Davenport’s 'Shark Dialogues') and Cuban American (Cristina García’s 'Dreaming in Cuban') background.

Resilience and the Wandering Subject

Edited by Supriya Daniel, IIT Bombay, India and Anu Kuriakose, NIT, Trichy, India

What are the different contours of defining a subject? How does a subject form in the act of resilience? This multi-author book explores the concept of a wandering subject, especially in the context of resilience. The wandering subject can be understood as an ever-forming subject through different mobilities. This movement is not just the physical movement compelled by a certain agency but also the various mobilities of the selves of the subject, mobilities through spaces, the interconnections formed with other subjects, and the fluidity between the subject/object/spaces at most times compelled by the spirit of resilience. Each chapter of the book delves into the myriad modalities of movement in spaces that are imagined or real. The space is always one of contestation, be it emerging from gender conflict, or that of a nation or a trauma inflicted by war. In this mode of displacement, either physical, emotional or spiritual (and at times, a seepage of all), the subject evolves and defines itself beyond the boundaries of binaries. It questions available definitions of self, subjecthood and identity and prompts one to imagine ways of comprehending and elucidating the concept of subject. In this sense, the book not only illuminates multiple perspectives on the subject but also compels the reader to formulate their own mode of grappling with this complex idea of the subject. It renders itself as an aid to current and future scholars to re-imagine and re-configure the subject.

Silver Age and After: Repressed Russian Poets, Artists and Philosophers during the Soviet Period

Roberto Echavarren

The details of the Jewish Holocaust have become part of our history through the testimony of those who survived the death camps. The details of Lenin’s and Stalin’s reign of terror are far less known because they took place behind a wall of secrecy, and because survivors have been loath to speak about them for fear of retribution. This is an encompassing volume presenting an intense display, as complete as can be, of poets, artists, musicians, and philosophers and intellectual actors implicated in different aspects of Russian life roughly through the period 1900-1960. They were people who had lived under the Soviet regime in times of peace and in times of war, from the Red Terror through the Great Terror. One must bear in mind the political and economic conditions in which those lives developed: the one-party rule placed above both the government and the citizens, the abashment of the division of powers, the suppression of private property and private economic initiative, the political police, and the GULAG. I deal with the poets in several chapters, then theater directors, then composers, then philosophers (these both in the introduction and in the play at the end of the book). Besides the Prologue and Introduction, the reader will find an Index of historical names, plus an extensive Bibliography. The work can be used for reference, for classroom adoption, for researchers/practitioners of Russian Literature, Political Studies, Slavic Studies, and Russian History.

Carmen Boullosa: In Between Brooklyn and Coyoacan

Edited by María del Mar López-Cabrales, Colorado State University and María Rosario Matz, University of Massachusetts Lowell

Focusing on the works of Mexican writer Carmen Boullosa for the English reader, this volume provides access to a critical analysis of Boullosa’s writings. Her daily writing has produced an enormous and varied literary corpus that includes narrative, theater, and poetry, in addition to her work in television. This volume is divided into three different segments. The initial part is composed of six essays that analyze Boullosa’s narrative and theatrical works. In these essays contributors evaluate and analyze Boullosa’s literary production, covering many of her novels, including 'Antes' (1989), 'Llanto: novelas imposibles' (1992), 'La Milagrosa' (1993) 'Cielos de la Tierra' (1997), 'La otra mano de Lepanto' (2005), 'La novela perfecta' (2006), 'El complot de los Románticos' (2009), 'Cuando me volví mortal' (2010), 'Las paredes hablan' (2012), 'Texas' (2014), and 'El libro de Ana' (2019) as well as her 'Teatro herético' (1987). By analyzing her literary corpus, contributors explore how she reshapes historical narratives and offers thought-provoking commentaries on our modern society and its problems. Boullosa’s writings invite an in-depth analysis due to their rich complexity and explorations of various themes, therefore this volume presents how her work has a significant social impact, prompting discussions on the topics of gender, power, history, social inequality, and cultural diversity while encouraging critical thinking and empathy. These critical essays are followed by an interview with the author. We decided to also include the Spanish version of this interview for those able to read it. Boullosa’s essay, 'Épica mía/ Mi épica (My Epic)' concludes this volume. When reading this essay, we suggest to the reader to keep in mind how often her works provide a voice to characters for whom History refused to grant one. This volume will provide its reader with a key to discovering the many layers present in Boullosa’s writing.

The Wizard of Mecosta: Russell Kirk, Gothic Fiction, and the Moral Imagination

Camilo Peralta, Joliet Junior College

"The Wizard of Mecosta" offers an extended analysis of the fiction of Russell Amos Kirk (1918-1994), a central figure in modern American conservatism who is often referred to as “the father” of the same. Born and raised in Michigan, Kirk was also a prolific writer of fiction, who published almost two dozen short stories and three novels over the course of his long career. At the heart of everything Kirk wrote was what he referred to as the “moral imagination,” a phrase he borrowed from Edmund Burke and often used to describe the instructive and enlightening purposes of great literature. Despite his prominent reputation as a public man of letters and the respect of fellow authors including Ray Bradbury and Stephen King, Kirk’s fiction was never very popular, and has fallen into almost complete obscurity in the present. "The Wizard of Mecosta" is the first full-length study ever published about Kirk’s fiction, and the only work of any length to consider the entirety of his output, including all of the stories and novels he wrote. By emphasizing how Kirk’s fiction illuminates certain aspects of his social and political theory, "The Wizard of Mecosta" distinguishes itself from the half-dozen or more studies of the author’s life and work that have been published since his death in 1994. It should appeal to anyone with an interest in American conservatism, as well as fans and scholars of the sort of Gothic horror in which Kirk, unexpectedly, excelled. Through his stories of avenging ghosts and timeless journeys through the afterlife, he reminds us of the existence of “permanent things,” the core values and beliefs of Western society, which he strove all his life to preserve. It is high time that his fiction found a more appreciative, and larger, audience.

Tolkien’s Transformative Women: Art in Triptych

Annie Brust, Kent State University

J.R. R. Tolkien has been revered as the father of twentieth-century fantasy; however, many initially criticized him for his handling of the textual matter as male-centric magical lands that did not feature prominent female roles or significant female characters. This book will highlight the vast community of powerful female figures that Tolkien created in his fantasy writing, stemming from the distinct and dominant female forces he created in his academic translation and poetry. These fierce women serve as a culmination of the powerful forces of women and female character that originated in Medieval, Norse, and Celtic traditions. They help to create the framework from which Tolkien shaped his female community, not merely as singular figures, as previously featured, but as a dynamic network of figures who shape Tolkien's creative art. For the first time, this discussion looks at the entire community of women, featuring previously excluded figures from his academic works and highlighting translation bias in modern manuscripts of the extant medieval works that influenced these women. It also seeks to create a comprehensive guide and detailed appendices exploring the female characters and influences throughout his writing portfolio. This book seeks to uncover the hidden voices of the past to find their rightful home in the strong female voices of the present, rewriting history to regain a sense of the past.

Psychedelic Modernism: Literature and Film

Raj Chandarlapaty

The primary purpose of 'Psychedelic Modernism: Literature and Film' is to trace the development of ideas and perspectives from the writing and private ambitions of 20th-century modernist writers, including Aldous Huxley. The purpose of the book is to offer a rough chronology during which ideas were first given a literary imagination, then transposed onto discussions of science and psychology, and then theoretically democratized to bring fruit to a relatively de-centered process where images, text, and interviews could re-conceptualize the modern Being from an admixture of modernist, historical, and pop roots that could express a greater moment in the human action. The work includes discussions from scientists such as Swiss chemist Albert Hofmann, rock stars such as Jerry Garcia, and unconfirmed mystics such as Carlos Castaneda. The primary focus of this work isn’t literature per se, but the literary imagination as it may correspond to greater, wider, and more impactive goals than the writing of 20th-century fiction. While there is some outreach that favors de-centered models such as the Beat Generation, the author’s primary purpose is to assemble an anthology covering the study and quests for knowledge from as many sides as could power the relative 1960s countercultural movement.

Eros and Thanatos. Love across Civilizations

Alberto Castelli, Hainan University, China

'Eros and Thanatos' is about the deadly nature of love. It is remarkable that literary critics have paid so little attention to the combination between love and death in literature. This book seeks to address this significant scholarly lacuna by exploring key literary texts of the last two hundred years as exemplary of a consistent tendency toward love and death. Its emphasis on singular characters and close readings suggests the spectrum of an arbitrary dichotomy never fully resolved. The existential discussion triggered by each plot is so intense that the erotic and the merely sexual seem inappropriate. Indeed, each writer chose to reduce it to the setting and background of a story that takes place elsewhere. With this in mind, the author intends to reflect love’s paradoxical nature. If love is triggered by beauty, beauty can be immoral and love must die to preserve the illusion of beauty.

Women’s Representations from Radical Naturalism to the New Woman Response

A Transatlantic Perspective of European, Latin American, and American Narratives

José F. Rojas-Viana, Louisiana State University

In this book, Rojas explores comparatively the representations of deviant and criminal women in the late nineteenth and early twentieth centuries from Transatlantic perspectives in literary productions of the first-wave feminist writers of the New Woman movement and writers of Radical Naturalism. This work addresses how the writers' sex is relevant in depictions of social constructions of female characters and how they established a dialogue based on gender through the themes of 'femme fatale', marginal spaces, eugenics, and social Darwinism in the novels of Emilia Pardo Bazán's 'La piedra angular' (1891), 'La gota de sangre' (1911), and "Tio Terrones" (1920); Refugio Barragán de Toscano's 'La hija del bandido o los subterráneos del nevado' (1887); Federico Gamboa's 'Santa' (1903); Kate Chopin's (Katherine O'Flaherty) 'The Awakening' (1899); Thomas Hardy's 'Tess of the D'Urbervilles' (1891); and 'Grand's Ideala' (1888). There is a good volume of research on different aspects of these novels, but this book addresses issues of the social constructions of deviant and criminal women from an interdisciplinary and metatheoretical perspective often missed from established criticism. This work is not only reachable for the non-expertise reader, graduate, or undergraduate students but also it is sufficiently elaborated for the expert reader in different fields. It provides a detailed analysis of the social, historical, philosophical, and scientific background that shows how the treatment of the female characters converges and diverges from male and female writers of the New Woman and Radical Naturalism points of view. It can be a good contribution for references or classes in Hispanic studies, gender studies, women's studies, sexuality studies, nineteenth-century studies, and in other fields.

Transfiction: Characters in Search of Translation Studies

Edited by Marko Miletich, SUNY Buffalo State University

This book explores the uses of translation, translators, and interpreters in fiction as a gateway to introduce issues related to Translation Studies. The volume follows recent scholarship on Transfiction, a term used to describe the portrayal of translation (both a topic and a motif), as well as translators and interpreters in fiction and film. It expands on the research by Kalus Kaindl, Karleheinz Splitzl, Michael Cronin, and Rosemary Arrojo, among others. Although the volume reflects the preoccupation with translator visibility, it concentrates on the importance of power struggles within the translatorial task. The volume could be an invaluable tool to be used for pedagogical purposes to discuss theoretical aspects within Translation and Interpreting Studies.

Dogmas in Literature and Literary Missionary: Text, Reader and Critique

Edited by Önder Çakırtaş, Bingol University, Türkiye

Literature does have an aspect that drags the readers, habitually burying them in its pages and blindly attaching them to itself. Blind devotion stems from the factors that are effective in determining the readers' faith. Theories of literature, similarly, might bring about the generation of blind adherence and dogmatic approaches. This book explores the existence of dogma in literature and some cult texts and writers and how dogmas in literature are conveyed to various audiences as a mission by some literary readers, experts, and academics. Generally, dogma is a word related mostly to religion. In this frame, Mathew Arnold's 'Dogma in Religion and Literature' is of great importance as far as religion is concerned. However, there are dogmas in every field, literature being no exception. Virginia Woolf, for instance, wrote stupendous works that turned out to be well-known, and in 1928, she delivered a lecture at Cambridge University, where women were once not allowed, that formed the basis for the celebrated 'A Room of One's Own' (1929). Roland Barthes' 1967 'La mort de l'auteur' ('The Death of the Author') essay might be another text that some of its literary readers have developed a dogmatic commitment to. In addition to revealing how dogma finds its place in literature, this book also discusses how literary writers and readers often unwittingly embrace 'literary missionary.' Focusing on the dogmatic elements of literature and the dogmatized literary theory and criticism through cult works of various authors, the book offers a striking and interesting contribution to literary theory and criticism and literature readings.

Weaving Words into Worlds

Edited by Caroline Durand-Rous, CRESEM, University of Perpignan, France and Margot Lauwers, CRESEM, University of Perpignan, France

'Weaving Words into Worlds' comes as the third spinoff of the international ecopoetics conference organized in Perpignan in 2016. Reflecting upon how the many stories we tell directly influence the world we live in, each of the contributions in this international volume directs our attention to the constant, ecopoetic weaving of word to the world at work via the many entanglements between mind, matter, and meaning, whether on a local or a global scale. It encapsulates how the words, stories, and concepts we humans articulate as we try to make sense of the world we inhabit give part of its shape to the web of ecological relations that we depend on for survival. It seeks to cast light on the disenchanting and reenchanting powers of stories and poiesis in general—as stories retain the power to make us either become oblivious to and destroy or to feel and honor the many, complex ties between the multitudinous nature cultures intertwined within the fabric of a multispecies world always in the making. This book offers a total of fourteen articles written by international scholars in ecocriticism and ecopoetics who, by their analyses of literature and/or films and the political subtext they thus render visible, aim at showing how the study of environmentally minded media may renew our attention to the entangled agencies of the human and the more-than-human realm. Thus, this work offers to counter a reproach ecocriticism has often been met with, namely the over-presence of US scholars and the lack of diversity in subjects in the field, since the articles presented provide a wide variety of approaches and topics with examples of UK and Native American literature, Polynesian myth, graphic novels, or haiku. In doing so, the book expands on the fields of ecocriticism and ecopoetics, adding to this branch of study and enriching it with high-quality academic studies.

Heroic Disobedience: The Forced Marriage Plot and the British Novel, 1747-1880

Leah Grisham

'Heroic Disobedience: The Forced Marriage Plot and the British Novel, 1747-1880' shows the ways in which eighteenth- and nineteenth-century novels used what the author terms the forced marriage plot - a plot arc in which a greedy father tries to force his daughter into a marriage she does not want but that would be financially expedient to himself - to explore capitalism’s detrimental impacts on women’s right to autonomy. As capitalist economic practices replaced mercantilism, a woman’s value was seen primarily in the economic sense. That is, men came to recognize that women – especially young, marriageable women – could be used as objects of exchange between men. Recognizing this phenomenon, the novelists considered in 'Heroic Disobedience' – Samuel Richardson, Charlotte Lennox, Mary Robinson, Charlotte Smith, Jane Austen, Charles Dickens, Elizabeth Stone, and Anthony Trollope – depict the very specific ways in which women were raised to become willing pawns in this system. Religious discourse, conduct guides, marriage and property laws, wages, lack of meaningful education, and inheritance practices combined to leave women with no other options besides dependence on their patriarchs. Importantly, authors who use the forced marriage plot go beyond exposing women’s subjugation by creating – and celebrating – heroically disobedient heroines who believe, above all else, that they have the right to determine their own futures: futures in which they are autonomous agents, not subjected objects.

Revisiting Diaspora Spaces in India: A Contemporary Overview

Edited by Joydev Maity, Raiganj University, India

This edited volume is a detailed and critical study of Indian diaspora writings and its diverse themes. It focuses on dynamics and contemporary perspectives of Indian diaspora writings and analyzes emerging themes of this field like the experience of the Bihari diaspora, migration to Gulf countries, the relation between diasporic experience and self-translation, uprootedness and resistance discourse through ecocritical praxis and many more. With the aid of a subtle theoretical framework, the volume closely examines some of the key texts such as 'Goat Days, Baumgartner’s Bombay, An Atlas of Impossible Longing, The Circle of Reason', and authors including Shauna Singh Baldwin, M.G. Vassanji, Sarat Chandra Chattopadhyay, V.S. Naipaul and others. The book also explores diaspora literature written in regional language and later translated into English and how they align with the fundamental Indian diaspora writings. A significant contribution to Indian diaspora writings; this volume will be of great importance to scholars and researchers of diaspora literature, migration and border studies, cultural, memory, and translation studies.

Concepción Gimeno de Flaquer (1850-1919): Her Personal Letters, Short Stories, and Journalism

Ana Isabel Simón Alegre, Adelphi University

This book explores how Concepción Gimeno de Flaquer’s evolution as a writer was closely linked to the development of her political-literary project, in which a feminist activist agenda plays an important role. This critical edition contributes to existing research on Gimeno de Flaquer by examining a collection of texts that have not been studied in-depth. This monograph-length publication is the first one to feature a translation of significant portions of Gimeno de Flaquer’s work. 'Concepción Gimeno de Flaquer (1850-1919): Her Personal Letters, Short Stories, and Journalism' includes ten letters that Concepción Gimeno wrote to the Spanish actor and theatre entrepreneur Manuel Catalina y Rodríguez (1820-1886), seven short stories, and a selection of her seventeen most representative newspaper articles.